Between Giallo Fantastico and an Ibanez – custom made cement tiles
Materiality Matters
Milan, IT
"All the more 'grey-dressed', more 'darker', more distinguished people (those people I detest) always talk about 'tradition', always have 'tradition' in their mouths and ignore, poor thing, that tradition has always been the exception (i.e. the masterpiece that makes the rule), has always been health, strength, life, i.e. colour, and has never worn grey trousers, grey jackets, grey coats, all the things that make grey faces, grey spirits, grey lives. The true tradition, the one I adore, the one of which the innovators are the custodians, has always been colourful and sanguine."
- Gio Ponti
The clients' wishes were clear: they wanted a lively, colourful home. No carpets, but a living floor that could characterise the new spaces. A wandering between references and solutions: milanesity, materiality, unusualness, revisitation and colour colour colour colour. The floor we chose for this house embodies both the colourful soul of its inhabitants and the typical Milanese boldness.
A floor created in close collaboration with Mosaic Factory (a company specialising in the handcrafted production of cementine, grit and zellige) that pays homage to the Milanese design history of the last century, beginning with the choice of cementine, a typical covering of Milanese houses in the early 1900s - which in its design recalls the more refined version of grit of the 1930s - arriving at the Albinian invention of the silipol for the Milan subway.
The colours, on the other hand, are a tribute to Gio Ponti's iridescent vision, echoing the colours chosen by the designer/ceramist for his "Giallo Fantastico" floor, which covered the large surfaces of the futuristic Pirellone.
A floor that is never the same, because it is the result of an artisanal process in which the skilled hand of the cement maker draws Pollok-like spots of colour and the skill of the installers compose on a grand scale an abstract design in which to lose oneself.
Photo of the floor of the Pirelli Tower: Maria Novozhilova
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. ACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.